Biography
Donald Sultan, an internationally recognized artist who rose to prominence in the late 1970s as part of the “New Image” movement, is known for elevating the still-life tradition through the deconstruction of his subjects into basic forms and the use of industrial materials. His paintings characteristically employ enamel, roofing tar, aluminum, linoleum, and spackle, pushing the boundaries of the medium through techniques of gouging, sanding, and buffing to create flatness, depth, and texture. The works are made of the same materials as the building in which the viewer stands; the architecture participates in the paintings. Weighty and structured, Sultan’s paintings are simultaneously abstract and representational: while his imagery is immediately recognizable – flowers, daily objects, insignia, idle factories – the dominating, abstract forms contradict its common association with fragility.
Born in Asheville, North Carolina, Sultan studied at the University of North Carolina, Chapel Hill and later received his MFA from the School of the Art Institute, Chicago. His first solo exhibition was mounted in 1977 at Artists Space in New York, and his work has since been exhibited worldwide in solo and group exhibitions, including at:
- the Contemporary Arts Center, Cincinnati;
- Corcoran Gallery of Art, Washington, DC;
- Gotlands Konst Museum, Sweden;
- Institute of Contemporary Art, Tokyo;
- Los Angeles County Museum of Art;
- Memphis Brooks Museum, Memphis;
- Museum of Modern Art, New York; M
- usée d’art Contemporain, Montreal;
- National Galerie, Berlin;
- Solomon R. Guggenheim Museum, New York;
- and Whitney Museum of American Art, New York.
His work is included in internationally renowned public and private collections, among them are
- The Art Institute of Chicago;
- British Museum;
- Cincinnati Art Museum;
- Cleveland Art Museum;
- Dallas Museum of Fine Arts;
- Detroit Institute of Arts;
- Fogg Art Museum at Harvard University, Cambridge;
- Hirshhorn Museum and Sculpture Garden, Washington, DC;
- Ludwig Museum, Budapest;
- The Metropolitan Museum of Art, New York;
- Museum of Contemporary Art, Tokyo;
- Museum of Fine Arts, Boston;
- Museum of Fine Arts, Houston;
- Museum of Modern Art, New York;
- National Gallery of Australia, Canberra;
- Neuberger Museum at SUNY-Purchase, New York;
- San Francisco Museum of Modern Art;
- Singapore Museum of Art;
- The Solomon R. Guggenheim Museum, New York;
- Tate Gallery, London; and Walker Art Center, Minneapolis.
All Artworks

Blue Wall Poppy
40" x 42.5"
Shaped Aluminum with blue powder coat and black flocking
Edition of 30
Year: 2020

Yellow Wall Poppy
40" x 42.5"
Shaped Aluminum with yellow powder coat and black flocking
Edition of 30
Year: 2020

Red Wall Poppy
40" x 42.5"
Shaped Aluminum with red powder coat and black flocking
Edition of 30
Year: 2020

Yellows, 2021
25" x 25"
Color silkscreen with enamel inks, flocking, and tar-like texture on 2-ply museum board
Edition: 30/50

Aqua Poppies (Sculpture)
24.5" x 24" x 3.5"
Powder coated aluminum on polished aluminum base
Edition: 20/25
Year: 2021

Yellow Poppies (Sculpture)
24.5" x 24" x 3.5"
Powder coated aluminum on polished aluminum base
Edition: 25

Yellow and White
32" x 32"
Color silkscreen with over-printed flocking on Rising, 2-ply museum board
Edition: 24/50
Year: 2017

Red and White
32" x 32"
Color silkscreen with over-printed flocking on Rising, 2-ply museum board
Edition: 24/50
Year: 2017

Yellow and Black
32" x 32"
Color silkscreen with over-printed flocking on Rising, 2-ply museum board
Year: 2017
Medium:
Edition: 50

Red and Black
32" x 32"
Color silkscreen with over-printed flocking on Rising, 2-ply museum board
Year: 2017
Medium:
Edition: 50
