Conn Ryder

Crescendo
24″ x 24″
Acrylic and Pencil on canvas

 

Conn Ryder

Pistil Whipped #1
48″ x 48″
Acrylic on canvas

 

Conn Ryder

Pistil Whipped #5
48″ x 48″
Acrylic on canvas

 

Conn Ryder

Pistil Whipped #9
48″ x 72″
Acrylic on canvas

 

Conn Ryder

Wanderland #2
40″ x 30″
Collage and Pencil on Canvas

 

Conn Ryder

Thing with Feathers
24″ x 24″
Acrylic and Pencil on Canvas

 

Conn Ryder

Pistil Whipped #3
40″ x 40″
Acrylic on canvas

 

Conn Ryder

Pistil Whipped #8
48″ x 48″
Acrylic on canvas

 

Conn Ryder

Raw and Unreleased
24″ x 24″
Acrylic on canvas

 

Conn Ryder

Wanderland #4
28″ x 28″
Acrylic and Collage on Canvas

 

Conn Ryder

Conn Ryder was drawn to and garnered praise for her art from an early age. But it was an incident during a high school drawing class that expanded her way of thinking about art. Assigned to create a pencil drawing of a shoe, Conn sorted through a box of old shoes and, after choosing a clean white Keds sneaker, tied the laces in a neat bow and began sketching. Noticing this, her teacher lunged toward her desk and heaved the sneaker across the room where it hit and bounced off the wall. He wildly dug through the box of shoes, eventually pulling out an oversized, raggedy, high-topped basketball shoe with the tongue half ripped off and shredded shoelaces. He slammed the tattered shoe down in front of Conn and said “Draw this! This shoe has character!” Conn created the best drawing she had done to date and received an A+ for her efforts. More importantly, she walked away with a lesson in seeing the character, interest and beauty in the least obvious places.

 

Conn’s formal art education includes fashion illustration at the Art Institute of Fort Lauderdale and painting at the Kansas City Art Institute. Once during college, Conn’s instructor led a group of art students into the painting studio to show them a large vibrant abstract Conn was working on. The instructor pulled the painting out of the storage slot, only to discover the previously colorful canvas had been covered with thick, black paint. Conn later explained that out of frustration, she painted the entire surface black, and in doing so, freed herself from the creative fetters of the previous image. The next afternoon, she feverishly scraped back into the black surface, reworking areas as she went and uncovered a more complex and texturally varied abstract that suited her sensibilities. The instructor said she knew then that Conn was a true artist.

 


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